CV
Education
Whitney Museum of American Art Independent Study Program, 1999–2000
Rhode Island School of Design, MFA, photography, 1999
New York University, American Photography Institute, National Graduate Fellow, 1998
Corcoran College of Art and Design, BFA, photography, 1996
State University of New York, Stony Brook, BA, philosophy, 1982
Residencies
Lower Manhattan Cultural Council/Swing Space, 2005
The MacDowell Colony, 2003
Lower Manhattan Cultural Council/Woolworth Building, 2003
P.S. 1/MoMA National Studio Program, 2001–02
Solo Exhibitions and Projects
2025, “…the vitality of what will be…,” BAU Gallery, Beacon, NY (November 2025)
2010-11, “Hudson Line Rider”
2005, “America’s Pastime,” Pier 17, New York, NY
2003, “Clipped,” Momenta Art, Brooklyn, NY
2001, “Watchtowers,” Bellwether Gallery, Brooklyn, NY
1997, “Rivers Jordan,” Arlington Arts Center, Arlington, VA • “Home Turf,” Troyer Fitzpatrick Lassman Gallery, Washington, DC
Selected Group Exhibitions
2025, “Resilience,” Provincetown Art Association Member Exhibition, Provincetown, MA (opening March 28)
2025, “Passages,” BAU Gallery, Beacon, NY
2025, “Black and White 2025,” Fusion Art, Santa Fe, NM
2025, “Annual Member Exhibition,” Garrison Art Center, Garrison, NY
2024, “From Heliography to AI: Celebrating Photographic Diversity,” Valid World Hall Gallery, Barcelona, Spain
2024, “Small Wonders,” Circle Gallery, Maryland Federation of Art, Annapolis, MD; juror: Tatiana Flores, Edgar Shannon Jefferson Scholars Foundation Distinguished Professor in Art History, University of Virginia
2016, “By the People,” Cooper Hewitt, New York, NY
2006, “ID Check,” Roger Smith Lab Gallery, New York, NY • “Momenta Art 2006 Benefit,” Momenta Art, Brooklyn, NY
2004, “Open House: Working in Brooklyn,” Brooklyn Museum of Art, Brooklyn, NY • “Alien 3,” Gallery W139, Amsterdam, Holland • “On Paper,” Nicole Klagsbrun Gallery, New York, NY
2003, “Superheroes,” Ruby Green Contemporary Art Center, Nashville, TN • “Focus Group,” Momenta Art, Brooklyn; Soap Factory, Minneapolis, MN • “Americana,” West Side Gallery, School of Visual Arts, New York, NY
2002, “Queer Visualities: Reframing Sexuality in a Post-Warhol World,” SUNY Stony Brook/CUNY Graduate Center • “Considered Space,” a benefit for the Design Trust for Public Space, Cohan Leslie and Browne, New York, NY • “Listening to New Voices,” P.S.1 Studio Program Exhibition, P.S. 1 Contemporary Art Center, Long Island City, NY • “Stepping Back, Moving Forward,” Pittsburgh Center for the Arts, Pittsburgh, PA
2001, “Fresh: The Altoids Curiously Strong Collection,” New Museum of Contemporary Art, New York, NY • “The Third Annual Altoids Curiously Strong Collection,” Consolidated Works, Seattle; The Lab, San Francisco; Los Angeles Contemporary • Exhibitions, Los Angeles; Art Center/South Florida, Miami; DiverseWorks, Houston • “Scene of the Crime,” an installation by Sally Gutierrez, White Box Gallery, New York, NY
2000, “Flat File,” Bellwether Gallery, Brooklyn • “Black Box Videos (&),” College of New Jersey, Ewing, NJ • “Hot Cam,” Smack Mellon Studios, Brooklyn • “Transparent Architecture,” Gale Gates, et. al., Brooklyn • Whitney Independent Study Program Open Studios, New York, NY
1999. “Annual Graduate Student Exhibition,” RISD Museum of Art, Providence, RI • “Fast Forward,” WPA\Corcoran Gallery of Art 20th Annual Auction, Corcoran Gallery of Art, Washington, DC
1998, “MIX Festival 1998,” Anthology Film Archives, New York, NY • “Scope 3,” Artists Space, New York, NY • “ArtSites ‘98,” Greater Reston Art Center, Reston, VA • “Addiction,” Providence Arcade, Providence, RI
1997, “Plastic Fantastic,” E3 Gallery, New York, NY • “Options ‘97,” Washington Project for the Arts\Corcoran Gallery of Art, Washington, DC
1996. “DC Small,” Central Armature Gallery, Washington, DC • “Entertaining Memory,” Washington Center for Photography, Washington, DC • “Photographers from the Corcoran,” Instituto de Arte Fotográfico, Lima, Peru
1995, “Street/Smart,” Arlington Arts Center, Arlington, VA
1994, “Ellipse Photography Showcase 1994,” Ellipse Arts Center, Arlington, VA • “Members Exhibition,” Washington Center for Photography, Washington, DC
1993, “Washington Photographers,” District of Columbia Arts Center, Washington, DC • “Open Studio Artists,” Washington Project for the Arts, Washington, DC
Collections
West Collection, SEI Corporation, Oaks, PA
New Museum of Contemporary Art/Altoids Curiously Strong Collection, New York, NY
Corcoran Gallery of Art, Washington, DC
Instituto de Arte Fotografico, Lima, Peru
Artists Space Video Collection, New York, NY
MIX Festival Archives, New York, NY
Selected Bibliography
Cotter, Holland. “Brooklyn-ness, a State of Mind and Artistic Identity in the Un-Chelsea,” New York Times, April 16, 2004
Abbe, Mary. “Artists in Residence,” Minneapolis Star Tribune, Aug. 8, 2003
Wilson, Michael. “New York,” Contemporary, Issue 49 (Spring 2003)
Cotter, Holland. Art in Review, New York Times, February 7, 2003
Shaw, Kurt. “Candid Cameras,” Pittsburgh Tribune-Review, January 18, 2002
Winn, “Stepping Back, Moving Forward ….,” Pittsburgh City Paper, January 2002
Levin, Kim. “Listening to New Voices” exhibition catalog, P.S. 1 Contemporary Art Center, Long Island City, NY, 2002
Turner, Elisa. “Altoids Artworks, Small but Strong,” Miami Herald, September 10, 2001
Cotter, Holland. Art in Review, New York Times, January 19, 2001
Dixon, Glenn. “Bastards of Young,” Washington City Paper, July 13, 1997
O’Sullivan, Michael. “WPA’s Limited ‘Options,’” Washington Post, July 4, 1997
Harris, Katherine. “Artistic Intensity,” Washington Blade, May 16, 1997
Heilman, Kristin. “Spring Solos” catalog essay. Arlington Arts Center, Arlington, VA, 1997
Morris, Cerwidryn. “Perverted for Your Own Use,” Options ‘97 catalog essay. WPA/Corcoran Gallery of Art, 1997
McCoy, Mary. “Photographers at DCAC,” Washington Post, July 31, 1993
Grants
New York Foundation for the Arts, 2004
Commission on the Arts and Humanities, Washington, DC, 2000
Teaching Experience
University of Chicago, Committee on the Visual Arts, Full-Time Visiting Lecturer and MFA Advisor, Fall 2003
Corcoran College of Art and Design, Photography Department, Adjunct Faculty, Spring 2003
Rhode Island School of Design, Photography Department, Instructor, 1998–99
Rhode Island School of Design, Department of Art History, Section Instructor, 1997–98
Visiting Artist Lecturer/Critic
Hunter College, MFA Program, Spring 2005
Syracuse University, Department of Visual and Performing Arts, Fall 2003
Rhode Island School of Design, Spring 2001, Spring 2002
Curatorial Activities
Curator, “Queer Body Politic(s),” Visual Aids Online Gallery, January 2002
Moderator, “Artist-to-Artist Dialogue,” Access Zone Seminar, Bronx Museum of the Arts, Fall 2001
Selection committee, Artist in the Marketplace program, Bronx Museum of the Arts, Spring 2001
Selection committee, Art in Public Places, Unity Park, DC Commission on the Arts and Humanities, Washington, DC, 1997
Board of Directors, District of Columbia Arts Center, Washington, DC, 1993–2000; Visual Arts Programming Chair, 1996–97
Selected Publications & Presentations
“Migration Atlas,” College of Arts and Sciences, Syracuse University, Fall 2003
“Watchtowers: Surveillance Architecture in the North of Ireland,” Brecht Forum,New York, NY, Spring 2001
“The Policing of Christ’s Sexuality in Leo Steinberg’s The Sexuality of Christ in Renaissance Art and Modern Oblivion,” Queer Studies Symposium, McMaster University, Ontario, Spring 1999
“Community & Commitment,” Corcoran Views, Winter 1999
Analyses and Responses, Public Strategies: Public Art and Public Spaces, American Institute of Photography
National Graduate Seminar, New York University, June 1–12, 1998
“Rivers Jordan,” Gallery talk, Arlington Arts Center, Spring 1997
“Joe Cameron: Photographs,” Washington Review, October/November 1996
“Moving Beyond the Document: An Interview With Jim Goldberg,” Photo Review, Winter 1996
Selected reviews, “Gallery” column, Washington City Paper, 1995–96